This sculpture fits within Fabre's tradition of combining human figures with symbolic objects: animals, celestial bodies, religious symbols. But the power of this work lies in the simplicity of its visual impact. It evokes questions and emotions at the same time.

A rare opportunity for collectors to acquire a work that combines aesthetics, mysticism and sculptural technique.

This sculpture fits within Fabre's tradition of combining human figures with symbolic objects: animals, celestial bodies, religious symbols. But the power of this work lies in the simplicity of its visual impact. It evokes questions and emotions at the same time.

A rare opportunity for collectors to acquire a work that combines aesthetics, mysticism and sculptural technique.

Jan Fabre (born 1958, Antwerp) is one of the most influential Belgian artists of recent decades. His work moves effortlessly between disciplines: from theatre and performance to drawing, sculpture and literature.

What sets Fabre apart is his insatiable urge to grasp the intangible. He calls himself a consilience artist: someone who interweaves art, science, religion, biology and philosophy. Symbols recur constantly in his oeuvre: insects, skulls, clouds, measuring instruments, blue ink. Each work is an attempt to make humanity tangible in all its beauty, struggle and contradiction.

His sculptures can be found in leading museums worldwide, such as the Louvre (Paris), the SMAK (Ghent), the Hermitage (St. Petersburg), the 21st Century Museum (Kanazawa) and the Madre Museum (Naples). His installation Heaven of Delight, a ceiling with more than one and a half million jewel beetle wings, adorns the Hall of Mirrors at the Royal Palace in Brussels.

Fabre's work is often physically intense, emotionally charged and rich in symbolism. He builds bridges between the sacred and the personal, between dreams and the measurable.

Jan Fabre (born 1958, Antwerp) is one of the most influential Belgian artists of recent decades. His work moves effortlessly between disciplines: from theatre and performance to drawing, sculpture and literature.

What sets Fabre apart is his insatiable urge to grasp the intangible. He calls himself a consilience artist: someone who interweaves art, science, religion, biology and philosophy. Symbols recur constantly in his oeuvre: insects, skulls, clouds, measuring instruments, blue ink. Each work is an attempt to make humanity tangible in all its beauty, struggle and contradiction.

His sculptures can be found in leading museums worldwide, such as the Louvre (Paris), the SMAK (Ghent), the Hermitage (St. Petersburg), the 21st Century Museum (Kanazawa) and the Madre Museum (Naples). His installation Heaven of Delight, a ceiling with more than one and a half million jewel beetle wings, adorns the Hall of Mirrors at the Royal Palace in Brussels.

Fabre's work is often physically intense, emotionally charged and rich in symbolism. He builds bridges between the sacred and the personal, between dreams and the measurable.